In 2-Headed Shark Attack, “Carmen Electra is a doctor,” Horton tells me with a mix of glee and disdain. The question is: For the love of God, why?
“The short answer is: We don’t know,” says David Michael Latt, the Asylum’s co-founder and head of physical production, who pushes as many as 25 films into production each year. “It’s not like we said, ‘There aren’t enough crappy B-level movies out there, so we must corner that market!’ We don’t really know the consumer. The consumer is too big and too fractionalized. All we know is we’re making a film for Netflix, and they tell us what they want.”