"When Danielle takes a seat at the table, she wrestles with two objects—book and vibrator—that have been wielded as tools of both female oppression and liberation. Then the video camera clicks on, and Danielle becomes an object of our gaze, too. In Still Life With Woodpecker, the person-as-object changes in nature based on who’s watching. Take the color of a person’s hair. The princess is a redhead. The Woodpecker is a redhead. Danielle is a redhead. Tom Robbins is a redhead. I’m a redhead, too. ‘Red hair is caused by sugar and lust,’ a statuesque blonde woman tells the princess in the book. ‘Highly evolved beings do not indulge in sugar and lust.” Is lust the natural enemy of human advancement? Or is it that, in a culture that has systematically oppressed the sexuality of women, there’s something evolved about accepting the human object as it really is?”
— I wrote about porn, feminism, and redheads for Clayton Cubitt’s Hysterical Literature series.
15 July 2013 40 notes
In 2-Headed Shark Attack, “Carmen Electra is a doctor,” Horton tells me with a mix of glee and disdain. The question is: For the love of God, why?
“The short answer is: We don’t know,” says David Michael Latt, the Asylum’s co-founder and head of physical production, who pushes as many as 25 films into production each year. “It’s not like we said, ‘There aren’t enough crappy B-level movies out there, so we must corner that market!’ We don’t really know the consumer. The consumer is too big and too fractionalized. All we know is we’re making a film for Netflix, and they tell us what they want.”
— Inside The Asylum, a modern B Movie house that churns out low-budget shlock based on streaming search terms.
11 July 2013 11 notes
“I take a paycheck every other week. That’s all I do. I could give a shit what comes. I do my job. I have a contract. That’s where I stand. I don’t give a fuck. I don’t care. That’s not my job. My job is to show up and be cute by 11 o’clock and get the fuck off that show by 12. And that’s what I try to do.”
— Whoopi Goldberg on speculation about her future co-hosts on The View.
10 July 2013 15 notes
"Research shows a typical A-cup boob weighs in at 0.43 of a pound. Every additional cup size adds another 0.44 of a pound. That means a hurdler with a double-D chest carries more than 4 pounds of additional weight with her on every leap. And when they get moving, the nipples on a C- or D-cup breast can accelerate up to 45 mph in one second — faster than a Ferrari. In an hour of moderate jogging, a pair of breasts will bounce several thousand times. For the modern athlete, the question isn’t whether breasts get in the way — it’s a question of how to compete around them.”
— “You Can Only Hope to Contain Them,” ESPN The Magazine
10 July 2013 473 notes
“Eliot Spitzer may have the social positioning and the personal wealth to earn his way back into public office (incidentally, that’s how he acquired his prostitution problem to begin with). But the women left in the wake of these scandals often lack the resources and established public presence to rise above the scandal. It threatens to define them forever.”
— So we’re ready to forgive Eliot Spitzer. But what happens to Ashley Dupre?
8 July 2013 4 notes
“In the Coast Guard, a rapist is “clumsy or stupid”; a rape victim is “not able to fully accommodate to the stresses and frustrations of ordinary service life.” The result is that a rapist is excused for making a mistake, while a victim is sidelined with a career-ending mental disorder. Or as Bertzikis puts it: “I was told I was having problems adjusting to being raped.””
— In the Coast Guard, sexual assault reports get washed away.
2 July 2013 13 notes
“Every new headline and news story about him reminds reporters and bloggers that we exist, and the cycle starts all over. There will be a new flare-up of jokes, inaccurate statements and hurtful remarks.”
— The women sexted by Anthony Weiner talk back.
24 June 2013